A couple of years ago, I made a piece of eco-nature printed paper. One of my Portland Art Collective friends at an October Menucha retreat had us collect leaves, place them on paper, roll it onto a two- inch piece of PVC tied tight with string and boil the roll for a couple hours. The colors or dyes in the leaves transfer to the paper. I love the subtle hues and ghost prints of the plants.
During Carol DuBosch's Spring Term calligraphy class, I made a book for my final project with this paper and wrote in Uncial Mary Oliver's poem "Today". When I put the book together, I had no idea where the dark leaf would show up. To my surprise, it graced the front cover. No planning, it just happened. It's this serendipity in the creative process that excites me.
I plan to make more eco-nature printed paper in August at the Oregon College of Art and Craft called Natural Impressions.
During Carol DuBosch's Spring Term calligraphy class, I made a book for my final project with this paper and wrote in Uncial Mary Oliver's poem "Today". When I put the book together, I had no idea where the dark leaf would show up. To my surprise, it graced the front cover. No planning, it just happened. It's this serendipity in the creative process that excites me.
I plan to make more eco-nature printed paper in August at the Oregon College of Art and Craft called Natural Impressions.