While attending the 2012 NW Calligraphy Conference, I heard Inga Dubay present her experience teaching a course in calligraphy and drawing at the Oregon College of Art and Craft. Ever since then, I've wanted to work through her syllabus. I found a few friends who wanted to do this, too. The first section features contour drawings.
My 2014 guiding word for my artwork is synthesis. I want to integrate what I know, practice and create. These letters came from my blind contour drawings of the Imperial Latin alphabet. I copied the word on tracing paper and transferred it to watercolor paper.
I'd like to repaint the piece with darker values so that the letters show more. That's my comfort zone. The abstract aspect of the pastel colors adds mystery. One of my goals is to move from literal interpretation to abstraction.
Above the bold colors stand out.
Above is my attempt to play with my initials. It needs more contrast in color. The bright yellow and red dominate the piece.
For this 'W', the blind contour drawing is of the negative space that surrounds the Fraktur capital letter. Do you see the 'W'? This exploration furthers my interest to combine calligraphy in my artwork.
My 2014 guiding word for my artwork is synthesis. I want to integrate what I know, practice and create. These letters came from my blind contour drawings of the Imperial Latin alphabet. I copied the word on tracing paper and transferred it to watercolor paper.
Above the bold colors stand out.
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